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Henriette Renié (18 September 1875 – 1 March 1956) was a French harpist and composer, a deeply religious woman who lived in poverty for much of her life, but who was independent and successful in a time when fame was socially unacceptable for women. She codified a method for harp which is widely used. ==Musical life== Before the age of five, Henriette played piano, but at five, she saw a concert featuring Alphonse Hasselmans, and declared "That man is going to be my harp teacher." She was not allowed to play harp until she was eight, and then her feet did not reach the pedals. She would hop off her bench to change them and then hop up and continue playing; her father eventually developed pedal extensions for her. Hasselmans had begun teaching at the Paris Conservatoire, and they met half-way to have lessons at Sebastian Érard's workshop. In 1885, she became a regular student at the Conservatoire. At ten, she won a second prize in harp performance (the committee had actually voted to give her first prize, but the director had decided it was inappropriate), and at eleven, she won the Premier Prix. Renié began teaching early on; at nine, she had declared her brother's friend Fernand Maignen would play the harp and began teaching him, and following her success at the Conservatoire, students from all over Paris, many of them more than twice her age, began seeking her out. After her graduation at twelve, she gave performances around France and taught students all over Paris. An exception was made for her to take harmony classes at the Conservatoire, which did not normally allow students under fourteen in harmony and composition. She was used as an example, and her professors Théodore Dubois, Ambroise Thomas, and Jules Massenet all encouraged her to compose. However, she was accustomed to the idea that women stayed at home and was reluctant to attract attention; she hid ''Andante Religioso'' for six weeks before she showed it to them. (She also was traditional enough that she never went out without a chaperone.) At fifteen, Renié gave her first solo recital in Paris, marking her growing troubles with Hasselmans, whom her parents had neglected to list as orchestra conductor on the programs. Henriette had them reprinted at her own expense to mollify her teacher. However, tension between them continued as Hasselmans was keeping all the professional students for himself, leaving Henriette to teach young ladies with high social standing, who were only increasing their marriageability; as a result, when serious students approached Renié, she often gave lessons in secret. As time progressed, Hasselmans also refused to recommend her to conductors as a soloist and circulated segments of her unpublished pieces in his classes without giving her any credit. Nonetheless, Renié remained loyal to him. In 1901, Renié completed the ''Concerto in C minor'' that she had begun composing while at the Conservatoire. On the advice of Dubois, she showed it to Camille Chevillard, who scheduled it for several concerts. Unfortunately, Renié, had suffered a severe stomach disorder at 21 that left her weak, and though she often forced herself to perform despite her illness, she became so sick that one of the Lamoureux concerts with Chevillard had to be delayed. Nonetheless, these concerts established Renié, not only as a virtuoso, but as a composer, and helped establish the harp as a solo instrument, inspiring other composers to write for harp. In 1903, she composed a substantial harp solo called ''Légende'', inspired by the poem ''Les Elfes'' by Leconte de Lisle. The same year, Renié presented eleven-year-old Marcel Grandjany to the Conservatoire, but Hasselmans denied him admittance; the next year, Grandjany was accepted as a student but not allowed to compete. At thirteen, the first time he was permitted to enter the competition, Grandjany won the Premier Prix. He, along with Mildred Dilling, introduced the Renié method to the United States. In 1912, Hasselmans and Renié were reconciled; he announced that he was physically unable to teach at the Conservatoire and wanted her to take his position, although there were no female professors teaching advanced instrumental classes. However, the Conservatoire, as a governmental institution, required approval from the Ministry of Education for its appointments, and because of Renié's religious beliefs, she was not hired and Marcel Tournier was given the position. Hasselmans died the night he was told she would not be appointed. She then turned down a position at the Ecole Normale de Musique, but started an international competition in 1914, the "Concours Renié," which included a significant sum of money along with they prize, and had notable musicians on the jury over the years, including Salzedo, Ravel, Grandjany, and Gabriel Pierné. During World War I, Renié survived by giving lessons, and gave charity concerts almost nightly, going to a fund that gave immediately and anonymously to artists in need, even when battle was being fought 90 kilometers from Paris and Big Bertha was bombarding the city. After the war, Toscanini offered Renié a contract, which she declined because her mother's health was failing. In 1922, a politician recommended Renié for the Legion of Honor, but she was rejected again for her religious beliefs. Renié began participating in radio broadcasts and making recording in 1926 for Columbia and Odéon. Her recordings all sold out within three months, and ''Danses des Lutins'' won a Prix du Disque, but the recording sessions exhausted Renié, so she refused to sign any new contracts despite her success. In 1937, Renié began complaining in her diary about fatigue and overexertion; illness forced her to postpone and cancel concerts, which had become painful and draining. During World War II, Renié, at the request of her publisher, wrote the ''Harp Method'', which became her main focus during the war. In two volumes, it is a thorough treatment of harp technique and music. It was adopted by such important harpists as Grandjany, Dilling, and Susann McDonald. After the Armistice, students flocked to Renié and spread her teaching to conservatories over the world. Severe sciatica and neuritis, as well as bouts of bronchitis, pneumonia, and digestive infections in winter, nearly disabled Renié, but she continued giving lessons and concerts despite the intense level of sedatives she was taking. When Tournier retired from the Conservatoire after 35 years, Renié was offered the job, but declined, (amusedly) saying she was four years older than Tournier. She was also finally given the Legion of Honor, at the urging of her goddaughter. The next year, she gave a concert, featuring ''Légende'', saying it was the last time she would play it, and died a few months later in March, 1956. Salvi, Erard's successor, created a "Renié" model harp, and the French Institute created a "Henriette Renié Prize for Music Composition for the Harp." 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Henriette Renié」の詳細全文を読む スポンサード リンク
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